Takashi Murakami's first live-action feature film, Jellyfish Eyes, has been ten years in the making. The Creators Project sits down with the legendary Japanese artist to discuss the filmmaking process, advances in CGI, and his overall artistic influences at his recent exhibition Arhat at Blum & Poe in Los Angeles.

Takashi Murakami's art has always sat at the crossroads where Japanese tradition meets contemporary culture. Often working in sculpture and painting, he recently ventured into the world of cinema with his first feature film. Inspired by the devastating tsunami that hit Japan in 2011, Jellyfish Eyes mixes live-action with animation and is a monster movie set in a post-Fukishima world. It centers around a boy who moves to a new town where he discovers the kids there fight fantastical creatures.

To bring these creatures to life, Murakami used CGI, noting in our sit-down interview above how the technology has only recently become cheap and effective enough for widespread use. The latest green screen technology and industry software bring Murakami's visions of a giant bunny, a jellyfish boy, and other strange beings to the screen, in a coming-of-age movie that updates the Godzilla trope for 21st century nuclear fears.

The film's theme song "Last Night, Good Night (Re:Dialed)" is by Livetune and features "virtual idol" Hatsune Miku, a crowdsourced music entity who plays to sell-out crowds as a projection. Murakami counts himself as a fan, recently directing the music video for her "Redial" song and providing art direction for a compilation CD.

Relevant links for: Takashi Murakami on Jellyfish Eyes, Nuclear Monsters, and Artistic Influences

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